Cinematic Side-Profile Portrait of a Man at an Indonesian Railway Station During Golden Hour

Using the single reference photo of, accurately preserve the man's facial identity, age, hairstyle, moustache, natural skin texture, and black Harrington jacket. Create a photorealistic, dramatic cinematic vertical 2:3 portrait at a modern Indonesian railway station during golden hour. The man stands still on the platform, framed from the waist up. His chest, shoulders, and torso face directly toward the passing train, as if watching it rush by. The camera is positioned beside him, looking across the side of his body, capturing a strong side-profile composition. His torso remains facing the train; only his head turns slightly toward the camera, revealing a natural three-quarter view of his face. Do not rotate his shoulders or chest toward the camera. A long Indonesian passenger train rushes past on the adjacent track, directly across his field of view. The train occupies almost the entire background, sweeping laterally across the frame at extreme speed. Render it as an elongated silver-grey silhouette with powerful, continuous horizontal motion streaks and fleeting blue and orange color trails. The train's individual details are almost completely dissolved by motion blur, creating an intense impression of speed. No locomotive nose, no bullet train, no clearly defined carriage details. The man remains perfectly still and sharply focused against the rushing train. Close, side-on camera placement, strong subject presence, dramatic warm side lighting, deep cinematic shadows, realistic skin and fabric textures, restrained cinematic color grading. Prioritize the man's body facing the passing train, the camera viewing his side, and only his head turning toward the camera. The train must appear to rush across his field of view, not approach the camera. Avoid deep railway perspective, exaggerated converging lines, and a static-looking train.